Showing posts with label creative nonfiction. Show all posts
Showing posts with label creative nonfiction. Show all posts

Wednesday, August 8, 2012

Into Thin Air, Krakauer


Into Thin Air
Jon Krakauer
1997
USA

“As I gazed across the sky at this contrail, it occurred to me that the top of Everest was precisely the same height as the pressurized jet bearing me through the heavens. That I proposed to climb to the cruising altitude of an Airbus 300 jetliner struck me, at that moment, as preposterous, or worse.”

            Most of us spend our lives seeking comfort. I am no exception. So it was a little weird to read this book while worrying about what furniture would look best my new apartment, and how to arrange my things in the most aesthetically pleasing way. In a way it made life easier for me, because the people I was spending time with during my reading hours were freezing and sick and gasping for air up on an unforgiving mountain, and so my little apartment without air conditioning, in comparison, seemed downright luxurious.
            Into Thin Air is a non-fiction book about the tragedies that occurred during climbing season on Mt. Everest in 1996. You may have heard of it; it was a bestseller. The author, Jon Krakauer, is an amateur climber, but his primary role on the Everest expedition was supposed to be as a reporter (he had originally intended to remain at Base Camp, but the allure of the summit was too much for him and he ended up climbing to the top, too). Commissioned by Outside magazine, Krakauer was to write an article assessing what many “purist” climbers referred to as the “commercialization” of Everest. He does a good job of filling us uneducated readers in on the argument between people who believe that only those who are able to climb without the aid of a paid guide should do so, and others who see no problem with Everest being run as a kind of extreme amusement park (there is a secondary debate, too, about whether using supplemental oxygen to reach the summit is cheating or not). Krakauer wrote his article for Outside immediately after returning from Everest in 1996, but found that he could not put the experience to rest. Twelve people had died, and Krakauer and many of the other climbers were still struggling to understand why. The book is the result of its author’s need for clarification, insight, and meaning. It attempts to offer the same to its readers and, at its best moments, succeeds.
            I haven’t read many “adventure” books, so I won’t pretend to be an expert on the genre. However, the type of tone and content that I would have expected from such a book was completely missing from Into Thin Air. Instead of larger-than-life characters, Krakauer seeks to humanize every person he meets on the mountain that spring. The reader is left with an impression not of heroic, impossibly strong mountaineers to be admired, but instead of real, often weak, eminently human men and women, attempting to summit the world’s tallest peak for a host of reasons, some more admirable than others. There are depressingly few moments of romantic vistas and awe-inspiring natural scenery; the few there are are almost completely outweighed by descriptions of dirty, festering camps, aching muscles and heads, broken bodies left behind in the snow, and the cruel ice, wind, and snowdrifts of Mt. Everest. There’s no doubt that the results of the climb soured Krakauer’s view of the entire experience, but it was fascinating to read a book written by someone who admittedly loves (loved?) climbing told in such a dark, almost angry tone.
Other climbers who were there that spring have since denounced Krakauer, claiming that his version of events is not entirely true (mostly this has come from one of the guides who believes Krakauer painted an unfairly negative portrait of him). Clearly, I don’t know whether what Krakauer writes is 100% “true” or not, but I am convinced that he is reporting to the best of his and others’ knowledge. He seems desperate to find the truth at whatever cost to himself or others’ views of themselves, and I find that convincing evidence of his impartiality. Krakauer wants to know why, but not so badly that he twists the story to create a clear-cut, specific reason that explains it all. Instead, he tells what happened, moment by moment and day by day, and we must decide for ourselves along with him about what went wrong.
One of Krakauer’s central claims seems to be that the accidental deaths that occurred on his trek to Everest were not, contrary to popular belief, all that unusual. “If you can convince yourself that Rob Hall [the expedition’s leader] died because he made a string of stupid errors and that you are too clever to repeat those same errors, it makes it easier for you to attempt Everest in the face of some of the rather compelling evidence that doing so is injudicious. In fact, the murderous outcome of 1996 was in many ways simply business as usual. Although a record number of people died in the spring climbing season on Everest, the 12 fatalities amounted to only 3 percent of the 398 climbers who ascended higher than Base Camp – which is actually slightly below the historical fatality rate of 3.3 percent.” Perhaps it should seem obvious to us that climbing the world’s highest peak is a life-threatening task. But, this late in the game, I think many of us have the sense that if we pay enough for something (and the people on Rob Hall’s expedition paid upwards of $65,000 for their opportunity to reach Everest’s summit), and if we are important enough (there were many, many doctors and a minor celebrity upon the mountain that spring) then we simply won’t die from taking an extreme vacation. It seems like there are safety precautions in place for everything; planes can fly anywhere, and if something goes wrong, we will sue somebody. Into Thin Air reminds us that sometimes things go wrong anyway, and that sometimes there isn’t any one person or company at fault; sometimes you just have to live with death. It turns out there are still are places that are truly wild, and untamable. I guess that’s why people go out there to seek them, to find those places where all bets are off, where it isn’t necessarily going to be okay, where every tiny movement you make is the difference between life and death. I can understand that, I think. It’s something primordial, a desire to be back at the beginning, when it was just man and woman vs. wild, and all of these other, silly, side issues, like how many people are reading our blogs and whether or not we impressed our boss, didn’t even exist. When you’re focused on survival, you can finally let all your other cares go.   

            A quick Google search of “climbing Mt. Everest” reveals that despite the danger, people are still interested in reaching the summit. Call me crazy – and there’s no way I’m ever trying to go to the top – but this expedition to Everest Base Camp sounds pretty good: http://www.akextremeadventures.com/adventure-travel/expedition/mount/everest/base-camp/trek/packageID/5208?did=5199&jt=1&jp=&jadid=10539367819&js=1&jk=climb%20everest%20expedition&jsid=24506&jkId=gc:a8a8ae4e72f9eb09d012fa532374a69b3:t1_b_:k_climb%20everest%20expedition:pl_&&gclid=CLzGsMnF07ECFYeo4AodMkkA0Q. 30th birthday trip, perhaps? ;)  

Monday, April 23, 2012

Cocaine [An Unauthorized Biography]


Cocaine [An Unauthorized Biography]
Dominic Streatfeild
2001
England and USA

“Over 50 percent of all American crime over the last 75 years has been blamed on drugs, because drugs are the single most convenient scapegoat for a society that is unable to blame itself.”


            I didn’t need to read this book to know that individuals alone don’t create reality, but that systems made up of multitudes of individuals do. I did need to read the book, though, to learn the specifics behind one such system – that of the production, sale, and use of cocaine and, more specifically, the state of affairs in South America today because of it. I needed to know that because I’m going traveling in Colombia soon, and before I read this book I didn’t even know who Pablo Escobar was. I am much better informed now.
            Cocaine [An Unauthorized Biography] begins with the Incas, who found the leaf of the coca plant, chewed with an alkaloid to activate the stimulant, extremely useful in developing and sustaining their incredibly advanced civilization. From here the book goes on to document the lengthy history of cocaine in the West, from  its discovery by Freud, then other doctors as a “cure” for morphine addiction, to the birth of crack and the narco states in Colombia, Peru, and Beliz, and every step in between. At every point the author consults the primary sources – drug traffickers in the US, England, and South America, historians, doctors, and DEA agents. This is a biography in the fullest sense of the term, and cocaine has had a long life and varied life.
So what’s the takeaway of these 499 pages on cocaine? Mostly Streatfeild’s purpose is to inform, and at first I found his casual, intimate tone at odds with this ambition, but I soon came to understand why the author chose to relate his findings in such a personal, and often humorous, way: the results of his study are astounding, bizarre, horrific – in short, too much to bear alone. After reading the information Streatfeild collects, as well as what he experiences and observes while doing it, the reader finds that she, too, is now responsible for figuring out what it all means.
While Streatfeild withholds his judgment until the end of the book, the massive amount of suffering linked to the “success” of cocaine compels him to eventually take a stance. His thesis, inevitably, is that cocaine is not good for the world, but not for the reasons you think. Streatfeild is no anti-drugs crusader proselytizing about the “evils” of the drug. Instead, he argues that cocaine should be legalized, positing that if it was legal coke’s price would go down, thus lessening the allure of selling it and slaking the frenzy of corruption and violence that has in our time surrounded its production. The “war on drugs,” according to the author, has been misguided at best, idiotic and corrupt at worst. Streatfeild accuses the American government and international agencies of everything from “helping” poor South American farmers by offering loans with outrageous interest rates to switch from growing coca to far less lucrative crops, to dumping a species of fungus engineered to attack coca plants (but later found to mutate and attack other crops as well) on Peruvian coca fields, to, through the Contra scandal, effectively creating the crack “epidemic” in the US. He doesn’t make these accusations hastily or in anger and, once the evidence is presented, the reader, at least this one, finds it hard to disagree with him.  
If you want a simple story about how drugs are bad, drug dealers are evil, and the government has your best interests at heart, you should look elsewhere. If you want in-depth reportage that gets closer to the complicated nature of the reality of drugs and the "war" against them, then this book is for you.